“Alaskan Grizzly Bear” black and white scrimshaw on ancient walrus tusk ivory by Geoff Olson. Hungry grizzly stands up to get a better view. Scary sight, indeed. We know it is an Alaskan grizzly because it was done by an Alaskan scrimshander. From the collection of one of our clients who is no longer with us. Big chunk of fossil walrus.
“Great Horned Owl Alone” Black and white scrimshaw on ancient walrus tusk ivory slab by Charles W. Conner. Scrimshander does great bird portraits. The great horned owl, also known as the tiger owl, or the hoot owl, is a large owl native to the Americas. It is an extremely adaptable bird with a vast range and is the most widely distributed true owl in the Americas. From the collection of one of our clients who is no longer with us.
“Brown Bear Duo” color scrimshaw on ancient walrus tusk ivory by Dennis Sims. Alaskan scrimshander, Sims, creates his own bases, always interesting. This one was part of a native sled runner hundreds of years ago. Nice work here at a bargain price. From the collection of one of our clients who is no longer with us.
“Woman with Lantern” black and white scrimshaw on ancient walrus tusk ivory by David Smith. Moody depiction of mysterious woman with lantern appearing to signal, or guide, a full rigged clipper in dense fog. Is the woman attempting to alert the ship of its danger, or is she a modern day siren guiding them to their destruction? One of the many great things about art are the questions raised over and over many years. Think Mona Lisa’s smile. Large chunk of fossil walrus (14.6 oz.) mounted on beautiful bubinga stand complete the picture.
“Whaleboats Putting Out” black and white scrimshaw on ancient walrus tusk ivory artifact by David Adams. Not the usual whaling scene here. Adams always likes to see things from a different perspective as can be seen in this gem. Really like the way he uses shadows around the whaler. This tusk was probably used an an ice axe hundreds of years ago in the Northern Bering Sea area. A fine addition to any scrimshaw collection created by one of the best working today.
“Naval Battle Commences” color scrimshaw on ancient walrus tusk ivory artifact by David Adams. Calm seas as a French battle squadron engages enemy vessels. Obviously, the smoke from the cannons and fires onboard the ships will soon hinder sight on both sides. This is an artifact piece used as an ice axe hundreds of years ago in the Northern Bering Sea area. Heavy piece weighing 1 lb., 9 oz.! Not a great deal of this caliber around today. Handsome bubinga stand completes the picture.
“Sperm Whale Pod” black and white scrimshaw on ancient walrus tusk ivory artifact by Ray Peters. Marvelous composition by scrimshander, Peters, on this artifact. Ivory was used as a net weight by ancient people in the Northern Bering Sea area hundreds of years ago. The back of the ivory shows how it was worked by an unknown artisan to fashion into a useful tool. Now it serves as a canvas, so to speak, for another artist in this era. It is mounted on a handsome bubinga stand with mammoth ivory inlay. This is Peters at his best. Excellent addition to any scrimshaw collection.
“Smiling Mermaid” black and white scrimshaw on ancient walrus tusk ivory artifact by David Adams. Nestled in shadows, this mermaid seems quite pleased. One wonders just what caused this pleasant smile on her charming face. Every piece can tell a story with just a little imagination. This is done on a stunning artifact used as a scraping tool hundreds of years ago by natives in the Northern Bering Sea area. Not much of this type of ivory available today.
“Pensive Blonde Mermaid” black and white scrimshaw on ancient walrus tusk ivory artifact by David Adams. One wonders just what is going through this attractive mermaid’s mind. She definitely has a plan. Approaching mariners beware. Amazing detail in the rocky shoreline by equally amazing scrimshander, Adams. He rarely does mermaids these days, so this one is a welcome addition. Ivory probably used as a digging tool hundreds of years ago.
“Serengeti Panorama” color scrimshaw on complete ancient walrus tusk by Mary Gregg Byrne. Serengeti translates to “endless plains” in the Maasai language. Byrne has depicted some of the better known inhabitants, human and animal, that one associates with the Serengeti. Mary Gregg Byrne was one of the originators of contemporary West Coast scrimshaw in the early 70s. She has not done any scrimshaw for more than a decade, so collectors always pay attention whenever a Byrne piece appears on the market today. This was probably done in the mid 1980s and is from the collection of one of our clients who is no longer with us. When his estate shipped it to us it was poorly packaged and the tip was broken off. We decided to have it repaired, which took over a year start to finish, and have a new stand created for it. Scrimshander, Matt Stothart, also assisted in the restoration process. The finished product is amazing. This is a very large, heavy tusk that weighs 5 pounds, 5.6 ounces! Not many left of this size and condition today.